tag:blogger.com,1999:blog-68129018540388428292024-03-05T19:23:58.729-08:00NAILNAIL is a group of curators focused on experimenting with exhibition forms in a workshop setting, the results of which will be shared with the public in a variety of venues.Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.comBlogger13125tag:blogger.com,1999:blog-6812901854038842829.post-26596665706293777902009-08-01T10:39:00.000-07:002009-08-01T10:56:24.956-07:00NAIL V<span style=";font-family:arial;font-size:85%;" >NAIL V is a multimedia publication contained in an envelope, put together by the curatorial group NAIL. Participating artists include: Mara Baldwin, James Benning, Allie Bogle, Melanie Farley, Michael Fox, and Lex Vaughn/ Peanut Brittle. Part of the project is posted online at <a href="http://nailv.blogspot.com/">http://nailv.blogspot.com</a>.<br /><br />NAIL is a group of curators focused on experimenting with exhibition forms in a workshop setting, the results of which are shared with the public in a variety of venues. <a href="http://icpabackstage.blogspot.com/2008/10/home-sweet-home.html#links">NAIL 1</a>, </span><span style="font-style: italic;font-family:arial;font-size:85%;" >Home Sweet Home</span><span style=";font-family:arial;font-size:85%;" >, took place in October as an apartment show, engaging ideas of personal and private space. <a href="http://notalwaysinlocation.blogspot.com/2008_11_01_archive.html">NAIL 2</a>, <span style="font-style: italic;">Surrounding Area</span>, took the form of a walking tour, divulging to participants details about a little-known area in San Francisco. <a href="http://notalwaysinlocation.blogspot.com/2008_12_01_archive.html">NAIL 3</a>, <span style="font-style: italic;">Out of Order</span>, took place in a more traditional gallery setting, but our concept was all but traditional; we chose artworks through the “Exquisite Corpse” method developed by the Surrealists. For our fourth project, we were invited by independent curator Jan Van Woensel to curate an <a href="http://notalwaysinlocation.blogspot.com/2009/02/3.html">email exhibition</a> in conjunction with his show <a href="http://b-a-d-m-o-o-n-r-i-s-i-n-g.blogspot.com/"><span style="font-style: italic;">Bad Moon Rising 3</span></a> at <a href="http://www.bootsart.com/">Boots Contemporary Art Space</a> in St. Louis; every day for two weeks in January, viewers received an email containing an artwork. <a href="http://nailv.blogspot.com/">NAIL V</a> was our most recent project. It began as a response to philosopher Boris Groys' essay, “<a href="http://www.ny-magazine.org/PDF/Issue%201.1.%20Boris%20Groys.pdf">The Loneliness of the Project</a>.”<br /><br />NAIL is: Jacqueline Clay, Nicole Cromartie, Courtney Dailey, Emily Gonzalez, Jacqueline Im, Kristin Korolowicz, Sharon Lerner, Katie Morgan, María Elena Ortiz, Arden Sherman, Joanna Szupinska, and Josephine Zarkovich. You can contact us at notalwaysinlocation@gmail.com. </span>Joanna Szupinskahttp://www.blogger.com/profile/11680488681466208475noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-75709260086082875932009-02-03T09:42:00.000-08:002011-06-09T18:17:46.847-07:00Bad Moon Rising 3: Email Archive<span style="color: rgb(153, 255, 153); font-weight: bold;font-family:lucida grande;"><span style="color: rgb(255, 255, 255);">Click </span><a style="color: rgb(153, 255, 153);" href="http://notalwaysinlocation.blogspot.com/2009/01/bad-moon-rising-32.html">here</a><span style="color: rgb(255, 255, 255);"> for the project description and press release.</span><br /><br />3.1 (Curated by Jacqueline Clay)</span><span style="font-family:Tahoma;"><br />Mon, Jan 19, 2009 at 5:59 PM<span style="font-weight: bold;"><br /><br /></span></span><a style="font-family: georgia;" href="http://1.bp.blogspot.com/_Vr7vdv5SBq8/SXfd7-ogOhI/AAAAAAAAADc/IqVV7iXZlXE/s1600-h/postcard_nailweb.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="cursor: pointer; width: 320px; height: 212px;" src="http://1.bp.blogspot.com/_Vr7vdv5SBq8/SXfd7-ogOhI/AAAAAAAAADc/IqVV7iXZlXE/s320/postcard_nailweb.jpg" alt="" id="BLOGGER_PHOTO_ID_5293943909492210194" border="0" /></a><span style="font-family:georgia;"> </span><a style="font-family: georgia;" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN4Ssa37StYI0KH4eMuL-ESXCVfFkZfW-3yRw0_LdJF6y3FmkHitHYU_RNDdwDCf3xybpL63ny6gmbYkrYo4RGzFgVyvxW-Y5U04e3XWybaiySPJ3dQWmQojbwhxpGlr8QNKBPPMfgekgm/s1600-h/postcard_nailweb-b.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="cursor: pointer; width: 320px; height: 199px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN4Ssa37StYI0KH4eMuL-ESXCVfFkZfW-3yRw0_LdJF6y3FmkHitHYU_RNDdwDCf3xybpL63ny6gmbYkrYo4RGzFgVyvxW-Y5U04e3XWybaiySPJ3dQWmQojbwhxpGlr8QNKBPPMfgekgm/s320/postcard_nailweb-b.jpg" alt="" id="BLOGGER_PHOTO_ID_5293944069374485970" border="0" /></a> <span class="HcCDpe" style="font-family:georgia;"><br /><br />Today (and tomorrow in Washington, D.C.), power and ascendancy will be actively re-considered. Although not explicitly part of this exhibition installment, the subversive nature of language in this object opens broader considerations of collective memory and constructions of the other. My contribution consists of a postcard from 1935; it functions in a place between hostile stares (silent, passive aggression) and violent acts (active physical oppression). On the back of the postcard is casual correspondence: travel updates and well wishes along with racist terminology. There are historic similarities between postcards and email: the length of messages, the frequency of being sent and the familial recipients.</span> <span style="color: rgb(153, 255, 153); font-weight: bold;font-family:lucida grande;"><br /><br /><br /><br />3.2 (Curated by Nicole Cromartie)</span><span style="font-family:Tahoma;"><br />Tue, Jan 20, 2009 at 7:26 PM</span> <object style="font-family: georgia;" height="302" width="400"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=2871737&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1"></object><span style="font-style: italic;font-family:georgia;"><br /><br /></span><a style="font-family: georgia;" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ilZzNAtr0V8QPppwsOIzYV79erGRru_Bp4M59i21hLFoLdyFOmnKdzz_LozKWcNk7vBpDK5uV_GCwEpmbActCJdO-8nkMTtbsqiFdyVV-DInPlfF7TkxfYdIjn1ja3Ez9k8t8juYIKQ/s1600-h/be+my+liver" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 237px; height: 169px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3ilZzNAtr0V8QPppwsOIzYV79erGRru_Bp4M59i21hLFoLdyFOmnKdzz_LozKWcNk7vBpDK5uV_GCwEpmbActCJdO-8nkMTtbsqiFdyVV-DInPlfF7TkxfYdIjn1ja3Ez9k8t8juYIKQ/s200/be+my+liver" alt="" id="BLOGGER_PHOTO_ID_5298669655425338338" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-family:georgia;">Please click </span><a style="font-family: georgia;" title="here" href="http://bmrcg.blogspot.com/" target="_blank">here</a><span style="font-family:georgia;"> to watch this video</span><br /><br /><span style="font-style: italic;font-family:georgia;">Will You Be My Liver</span><span style="font-family:georgia;"> by Catherine Galasso</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">Featuring Alexandra Bradshaw, Mimi Cave, and Kathryn Shearman</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">Music by Michael Galasso</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">December 2008, CounterPULSE, San Francisco, California</span><span style="font-family:georgia;"> </span><span style="font-family:georgia;">For more information on the artist and a schedule of upcoming performances, visit: </span><span style="font-weight: bold;font-family:georgia;"><span style="color: rgb(153, 255, 153);"><br /></span></span><a style="font-family: georgia;" href="http://www.blogger.com/www.catherinegalasso.com">www.catherinegalasso.com</a><br /><br /><br /><br /><div style="font-weight: bold;font-family:georgia;"><span class="Apple-style-span" style="color: rgb(153, 255, 153);"><span class="Apple-style-span">3.3 (Curated by Courtney Dailey)</span></span></div><div style="font-family: georgia;">Wed, Jan 21, 2009 at 6:54pm</div><div style="font-family: georgia;"><br /></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1R2k6yytIrXE1RcLXJ97rCiIDJgW11JeAOiuUw7-ZnuyvRHPNdMT-vpnft1dlAGPS324no-yCczFWCrlqKBdZvlH_fHd5cV9UluspaPZGyS7_SmwAyQQ4tJR4i7JAV0-SfOq87zQ1CcZh/s1600-h/criscothunder.jpg" style="text-decoration: none; font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; text-decoration: underline; display: block; text-align: center; cursor: pointer; width: 320px; height: 134px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1R2k6yytIrXE1RcLXJ97rCiIDJgW11JeAOiuUw7-ZnuyvRHPNdMT-vpnft1dlAGPS324no-yCczFWCrlqKBdZvlH_fHd5cV9UluspaPZGyS7_SmwAyQQ4tJR4i7JAV0-SfOq87zQ1CcZh/s320/criscothunder.jpg" alt="" id="BLOGGER_PHOTO_ID_5297716814265760898" border="0" /></a><div style="font-weight: bold; font-family: georgia;">Recipe for Crisco Thunder</div><div style="font-family: georgia;"><br /></div><div style="font-family: georgia;">3 cups Situationist Detournement</div><div style="font-family: georgia;">1 cup Britney Spears</div><div style="font-family: georgia;">2/3 cup Fugazi</div><div style="font-family: georgia;">1 cup Marley Marl</div><div style="font-family: georgia;">2 cups feeling of impending doom</div><div style="font-family: georgia;">10 fingers of Victor Jara</div><div style="font-family: georgia;">1 mask of MF DOOM</div><div style="font-family: georgia;">healthy scoop of hatred for capital</div><div style="font-family: georgia;">4,000 records</div><div style="font-family: georgia;">1 mpc 2000xl sampler</div><div style="font-family: georgia;">essence of MRTA's escape from Canto Grande</div><div style="font-family: georgia;">1 sound system</div><div style="font-family: georgia;">1 horribly scarred visage shrouded in mystery</div><div style="font-family: georgia;"><br /></div><div style="font-family: georgia;">Season with unreasonable optimism. Mix ingredients together in a well-greased casserole dish. Heat in oven until all ingredients are half-baked. Serve hot.</div><div style="font-family: georgia;"><br /></div><div style="font-family: georgia;"><a href="http://www.myspace.com/criscothunder">http://www.myspace.com/criscothunder</a></div><div style="font-family: georgia;">to <leo_highlight style="border-bottom: 2px solid rgb(255, 255, 150); background-color: transparent; background-image: none; background-repeat: repeat; background-attachment: scroll; background-position: 0% 0%; -moz-background-size: auto auto; cursor: pointer; display: inline; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" id="leoHighlights_Underline_0" leohighlights_keywords="request" leohighlights_url="http%3A//thebrowserhighlighter.com/leonardo/highlights/keywords?keywords%3Drequest" onclick="leoHighlightsHandleClick('leoHighlights_Underline_0')" onmouseover="leoHighlightsHandleMouseOver('leoHighlights_Underline_0')" onmouseout="leoHighlightsHandleMouseOut('leoHighlights_Underline_0')">request</leo_highlight> more songs: crisco.thunder (at) gmail.com</div><div style="font-family: georgia;"><br /></div><div style="font-family: georgia;">Crisco Thunder escaped from an experimental psychiatric prison in late 1999. He had previously been a vigorously active member of the nascent and psychically damaged American left. Upon his "release", he devoted himself to the creation of sample-based infrasonic r(ock)ap music which would, depending on the disposition of the listener, cause either instant death or orgasm. He has yet to succeed in either goal. He currently lives and works in Philadelphia.<br /><br /><br /><br /></div> <span style="color: rgb(153, 255, 153); font-weight: bold;font-family:lucida grande;">3.4 (Curated by Emily Gonzalez)</span> <span class="HcCDpe" style="font-family:georgia;"><br />Thu, Jan 22, 2009 at 8:39 PM</span> <span style="font-family:Tahoma;"><div id="i419" style="padding: 1em 0pt; text-align: left;"><img style="width: 384px; height: 400px;" src="http://docs.google.com/File?id=dcz72rgp_17wqqnn4cx_b" /><br /></div>Hasan Elahi<br /><i>Tracking Transience: The Orwell Project<br /></i>2002 - ongoing<br /><a title="http://www.trackingtransience.net/" href="http://www.trackingtransience.net/" id="q0.0">http://www.trackingtransience.net/</a><br /><i><br /></i>Due to a hotline tip in 2002, Hasan Elahi was repeatedly interviewed and investigated from June to November of that year. At the end of that term, the artist was cleared of suspicion, but he decided to continually prove his innocence by making his life completely transparent and began posting his location and activities on the internet . The artist carries a modified cellular phone that updates his website with his location; posts images of the airports he visits, the food he eats, and the restrooms he uses; and logs his credit card transactions, telephone conversations, and travel itineraries. </span><span style="font-family:Tahoma;">Through his website, the artist places the visitor in his position by taking each picture from his point of view. His image is not seen in the entire database thereby making himself invisible despite the wealth of information available. </span><span style="font-family:Tahoma;">By taking control of his own surveillance, Elahi robs those watching him of secrecy and power and embraces the technology that so many fear.<br /></span> <span style="font-family:lucida grande;">For more about the artist, please visit </span><a style="font-family: georgia;" title="http://www.elahi.org/" href="http://www.elahi.org/" id="i0oj">http://www.elahi.org/</a><span style="font-family:lucida grande;">.<br /><br /><br /><br /></span><span style="color: rgb(153, 255, 153); font-weight: bold;font-family:lucida grande;">3.5 (Curated by Jackie Im)</span><span style="font-family:Tahoma;"><br />Fri, Jan 23, 2009 at 10:21 PM<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd4ldlL5E9UeRM83spTBGIhZvRWdzU6JyOUEXCRqQUKjSi6xJK4EbB9GxXKUIQYdyS4L3TJ_P2G-UFyuDs_vQ5LxsqCYrzfSCLvjbiMwZ_r8JjAa9P-kUm6NWs-3oK5_FSg4Rmfqddx3zd/s1600-h/jackie+im+blog.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 98px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjd4ldlL5E9UeRM83spTBGIhZvRWdzU6JyOUEXCRqQUKjSi6xJK4EbB9GxXKUIQYdyS4L3TJ_P2G-UFyuDs_vQ5LxsqCYrzfSCLvjbiMwZ_r8JjAa9P-kUm6NWs-3oK5_FSg4Rmfqddx3zd/s400/jackie+im+blog.jpg" alt="" id="BLOGGER_PHOTO_ID_5298647895400090082" border="0" /></a><br /><span style="font-style: italic;">Some Last Meal requests from inmates in the Texas Department of Criminal Justice: The Alchemy of Food</span>, 1999-2000<br />Richard Kamler<br />Figure 1: Rick McGinn - Declined Last Meal<br />Figure 2: T-bone steak, onion rings, mashed potatoes<br />Figure 3: Turkey leg, hot dog with relish on a bun, bell pepper<br /><br />For many death row inmates in the United States, the last meal is the only order that an inmate can place while in prison. Artist Richard Kamler explored this subject with his "Last Meal" series, using the requested last meals by inmates in the Texas Department of Criminal Justice. This small glimpse of who is being executed reveals the humanity that is often lost in the bureaucracy and controversy behind the death penalty. Through their representation as serial numbers, statistical figures, or political causes, death row inmates lose their basic identity as people.<br /><br />Richard Kamler has expanded <span style="font-style: italic;">The Last Meal </span>to those of us who are not incarcerated. Forcing us to think of our own mortality, we think of what would we order and, in effect, begin to relate to those on Death Row. We ask you to visit <a href="http://thelastmeal.wordpress.com/">The Last Meal</a> and place your order.<br /><br /><br /><br /><span style="color: rgb(153, 255, 153); font-weight: bold;">3.6 (Curated by Kristin Korolowicz)</span><br />Mon, Jan 19, 2009 at 5:59 P<span>M</span><span style="font-weight: bold;"><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLZ9z_sNfB7Hf1TWN3zFYsgMTdap9zcSUg-E7ktbZ8EZWGxW457q8-hA9B_ChnjWx4e3JqG7yJDOi1rn7kApf2geaiOSr7E46XUBd-4Vkg_GGzOUBbyQGWdFls19CMZTib1dYODF3HR1Rg/s1600-h/k3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLZ9z_sNfB7Hf1TWN3zFYsgMTdap9zcSUg-E7ktbZ8EZWGxW457q8-hA9B_ChnjWx4e3JqG7yJDOi1rn7kApf2geaiOSr7E46XUBd-4Vkg_GGzOUBbyQGWdFls19CMZTib1dYODF3HR1Rg/s320/k3.jpg" alt="" id="BLOGGER_PHOTO_ID_5298642213761069442" border="0" /></a><br /></span></span><span style="font-family:Tahoma;"><span style="font-weight: bold;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisEUomhwypKBFeesIvq_tR-BVD4_qzjWBysYcP9N_eSq9rxlJfe6UtAZKGvwgOMb02mbaTM_p0hyphenhyphenoPPzNQzc5c_RIEu3h1XaxM9QmX2pTxib9qeiQZXdCwx1zmMDTI9UaqDo_RgYPaMtIJ/s1600-h/k1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 213px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisEUomhwypKBFeesIvq_tR-BVD4_qzjWBysYcP9N_eSq9rxlJfe6UtAZKGvwgOMb02mbaTM_p0hyphenhyphenoPPzNQzc5c_RIEu3h1XaxM9QmX2pTxib9qeiQZXdCwx1zmMDTI9UaqDo_RgYPaMtIJ/s320/k1.jpg" alt="" id="BLOGGER_PHOTO_ID_5298641946414568626" border="0" /></a></span></span><span style="font-family:Tahoma;"><span style="font-weight: bold;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamDN2iVsq0AChQiR1e6LCdwpU7Fgyji3U_X7-ifem6EdUvkdvcb0jl6PiUuoxH1SgRCP4xPGL7YNfDJ4umRBGyHVyoMHSHD-SN02keabuBgg59gNvkflNyHtFxhAPb4vXRPD058ULBjVs/s1600-h/k2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiamDN2iVsq0AChQiR1e6LCdwpU7Fgyji3U_X7-ifem6EdUvkdvcb0jl6PiUuoxH1SgRCP4xPGL7YNfDJ4umRBGyHVyoMHSHD-SN02keabuBgg59gNvkflNyHtFxhAPb4vXRPD058ULBjVs/s320/k2.jpg" alt="" id="BLOGGER_PHOTO_ID_5298642105992127010" border="0" /></a><br /></span><span>Photographs courtesy of Zoe Strauss*<br /><br />At once disturbing and beautiful, Strauss' photographs depict people and places that in one way or another highlight the detritus of the American dream. In her work, we see rural and urban American neighborhoods littered with lonely signs that illuminate phrases like: "Together we make dreams come true." These phrases cast shadows on the beaten faces and scarred smiles of the individuals in her other photographs. Strauss' work often poignantly captures the tension between this dream and its everyday reality.<br /><br /></span></span><span style="font-family:Tahoma;"><span>Zoe Strauss currently lives and works in Philadelphia. Take a second to look at the artist's blog, which provides insight into her process and interests: <a href="http://zoestrauss.blogspot.com/search?q=Ginsberg">Zoe Strauss' blog</a>.</span><span><br /><br /></span></span><span style="font-style: italic;font-family:georgia;font-size:100%;">*Images are formatted for the blog and appear much smaller than in the original email.</span><br /><span style="font-family:Tahoma;"><span style="font-weight: bold;"><br /><span style="color: rgb(153, 255, 153);">3.7 (Curated by Sharon Lerner)</span><br /></span></span><span class="HcCDpe" style="font-family:georgia;">Mon, Jan 26, 2009 at 8:36 PM</span> <span style="font-family:Tahoma;"><span><span span=""><span><span><object height="149" width="400"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=2951388&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1"><embed src="http://vimeo.com/moogaloop.swf?clip_id=2951388&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="149" width="400"></embed></object><br /><br /><a href="http://vimeo.com/2951388">Estereoscopía (Diego Lama-2000)</a> from <a href="http://vimeo.com/user1207774">SharonLerner</a> on <a href="http://vimeo.com/">Vimeo</a>.<br />ste·re·os·co·py, <span style="font-style: italic;">noun</span><br />"ster-E-'äs-k&-pE, "stir-; 'ster-E-&-"skO-pE, 'stir-<br />1 : a science that deals with stereoscopic effects and methods<br />2 : the seeing of objects in three dimensions</span><br /><br /><span style="font-style: italic;">Estereoscopía</span> (<span style="font-style: italic;">Stereoscopy</span>, 2000) is a piece that confronts the viewer with tension that results from the way our minds are predisposed to build narratives and expect logical cause and effect. Each part of the diptych depicts virtually unrelated actions. However, the viewer’s natural inclination to make causal connections creates a third, disturbing, setting. The increased silence builds a dense, almost perturbing, atmosphere that transcends the individual scenes and comes together in a mental synthesis. Besides dealing with language and mental processes, the slippage in <span style="font-style: italic;">Estereoscopía</span> could easily remind us of striking atrocities that governmental powers constantly incur.<br /><br /><span>Diego Lama (Perú, 1980)</span> is considered one of Peru’s most representative video artists. His work often incorporates uncanny imagery and underlying tension. Most of his recent productions strive towards developed forms of sublime narrative structures which flirt with cinematographic formats and condensed theatrical settings.<br /><br />Diego Lama lives and works in Lima, Peru. He received first prize for best experimental video in the first National Biennial of Film and Video in Peru (2004), and a prize at <span style="font-style: italic;">Videofest </span>in San Francisco (2006). His solo shows include <span style="font-style: italic;">Vouyeur</span>, Galería 80 m2 (Lima, 2008), B<span style="font-style: italic;">old</span>, Galería Vértice (Lima, 2007), and <span style="font-style: italic;">Painting</span>, Galería Lucía de la Puente (Lima, Perú, 2005). He has also participated in numerous group shows in Peru and abroad.<br /><br /></span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><br /><br /><span style="color: rgb(153, 255, 153);">3.8 (Curated by Katie Morgan)<br /></span></span></span></span></span><span class="HcCDpe" style="font-family:georgia;"><span class="JDpiNd"></span>Tue, Jan 27, 2009 at 11:36 PM</span> <span style="font-family:Tahoma;"><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><span style="color: rgb(153, 255, 153);"><br /></span></span></span></span></span><a style="font-family: georgia;" href="http://farm4.static.flickr.com/3304/3230953270_7c681bc765_b.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="cursor: pointer; width: 363px; height: 460px;" src="http://farm4.static.flickr.com/3304/3230953270_7c681bc765_b.jpg" alt="" border="0" /></a> <span style="font-family:Tahoma;"><span><span span=""><span><br /><a href="http://the-agony-and-the-ecstasy.com/">CLICK HERE</a><br /><br /></span></span></span><span><span span=""><span>Parker Ito, <i>the agony and the ecstasy</i>, 2009<br /><br />Parker Ito is a pixel prospector, a miner of the internet. For him, HTML code is the 21st-century's answer to Duchamp's readymade and the porn star is the new artistic muse. In this recent work, found video clips of ice cream, candy, splattered paint, and fireworks are overlaid with clips of online pornography to create a layered and textured core sample of the pleasures and vices of the World Wide Web. Beautiful, yet repellent and strange, Ito's videos, websites, and paintings explore and push at the boundaries of the image-saturated, hyper-technological reality of our age.<br /><br />Parker Ito lives and works in Berkeley, CA.<br />Please visit <a href="http://www.parkerkooito.com/" target="_blank">www.parkerkooito.com</a>.<br />In Dang we trust.....</span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><br /><br /><br /><br /><span style="color: rgb(153, 255, 153);">3.9 (Curated by Maria Elena Ortiz-Romero)<br /><br /></span><div><span class="Apple-style-span" style="font-size:13px;"><img src="http://docs.google.com/File?id=dfw8xjzx_177gv6zx4gc_b" style="width: 320px; height: 320px;" /><img src="http://docs.google.com/File?id=dfw8xjzx_178ghsbv3gn_b" style="width: 320px; height: 241.915px;" /></span><br /></div></span></span></span><span><span span=""><span><div><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:small;">The America's favorite villian of the 20th Century</span></span><span style="font-style: italic;font-size:small;" class="Apple-style-span"> (Bush)</span></span></div><div><span class="Apple-style-span"><span class="Apple-style-span" style="font-size:small;">2008<br /><br /></span></span></div><div><span class="Apple-style-span"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-size:small;">Dog Mask</span></span></span></div><div><span class="Apple-style-span"><span class="Apple-style-span" style="font-size:small;">2007</span></span></div><div><p class="MsoEndnoteText"><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">An afternoon in San Juan with Gamaliel Rodríguez-Ayala and Medallas </span><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;"><o:p></o:p></span></span></p> <p class="MsoEndnoteText" style=""><i style=""><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">María Elena Ortiz-Romero</span></span></i><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;"> - The </span><i style=""><span class="Apple-style-span" style="font-size:small;">America’s favorite villain of the 21</span><sup><span class="Apple-style-span" style="font-size:small;">th</span></sup><span class="Apple-style-span" style="font-size:small;"> Century (Bush) </span></i><span class="Apple-style-span" style="font-size:small;">and </span><i style=""><span class="Apple-style-span" style="font-size:small;">A Normal day; cokes and bombs</span></i><span class="Apple-style-span" style="font-size:small;"> belong to </span><i style=""><span class="Apple-style-span" style="font-size:small;">The advertising Series</span></i><span class="Apple-style-span" style="font-size:small;">, how you would describe the relationships between the two works within the series?</span><span class="Apple-style-span" style="font-size:small;"><o:p></o:p></span></span></p> <p class="MsoEndnoteText"><i style=""><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">Gamaliel Rodríguez-Ayala</span></span></i><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">-In this series I am focused on issues such as health, militarism, development, economic power on the part of drug trafficking and crime that are part of contemporary culture. Also, it is a review of contemporary painting and Neo-figuration. </span><i style=""><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">America’s favorite villain of the 21</span><sup><span class="Apple-style-span" style="font-size:small;">th</span></sup><span class="Apple-style-span" style="font-size:small;"> Century</span></i><span class="Apple-style-span" style="font-size:small;"> and </span><i style=""><span class="Apple-style-span" style="font-size:small;">A Normal Day; cokes and bombs</span></i><span class="Apple-style-span" style="font-size:small;">, I appropriate images which are recognized within the mass culture within a social and historical context to reconstruct its meaning. In Iraq or Afghanistan, the quantity of bombs (Mortars Rounds) and Coke are almost parallel. Both have a similar shape, and represent the heritage of a country. In the case of Bush and Darth Vader, they are famous figures around the globe. Both fought for what they believe and both had the power to command. The interesting thing is that one was in science fiction and one in the real events. </span><span class="Apple-style-span" style="font-size:small;"><o:p></o:p></span></span></p> <p class="MsoEndnoteText"><span style="line-height: 115%;"><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><i style=""><span class="Apple-style-span" style="font-size:small;">M.E.O.R.</span></i><span class="Apple-style-span" style="font-size:small;"> -Your study on the social and historical context of an image is seen in </span><i style=""><span class="Apple-style-span" style="font-size:small;">American favorite 21</span><sup><span class="Apple-style-span" style="font-size:small;">th</span></sup><span class="Apple-style-span" style="font-size:small;"> Century villain (Bush) </span></i><span class="Apple-style-span" style="font-size:small;">and </span><i style=""><span class="Apple-style-span" style="font-size:small;">Dog Mask,</span></i><span class="Apple-style-span" style="font-size:small;"> where the mask of </span></span><span style="" lang="EN"><span class="Apple-style-span" style="font-size:small;">Darth Vader</span></span><span style="line-height: 115%;" lang="EN"><span class="Apple-style-span" style="font-size:small;"> </span></span><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">is presented in two different frameworks. However, the </span><i style=""><span class="Apple-style-span" style="font-size:small;">Dog Mask</span></i><span class="Apple-style-span" style="font-size:small;"> belongs to </span><i style=""><span class="Apple-style-span" style="font-size:small;">The Series 11B.</span></i><span class="Apple-style-span" style="font-size:small;"> Do they deal with the similar issues?</span><span class="Apple-style-span" style="font-size:small;"><o:p></o:p></span></span></p> <p class="MsoEndnoteText"><i style=""><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">G.R.A. -</span></span></i><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">No, </span><i style=""><span class="Apple-style-span" style="font-size:small;">The 11B Series</span></i><span class="Apple-style-span" style="font-size:small;"> is based on my reinterpretation of the famous book of the Infantry of the United States entitled </span><i style=""><span class="Apple-style-span" style="font-size:small;">Soldier’s Manual of Common tasks</span></i><span class="Apple-style-span" style="font-size:small;"> also known as the “Bible of Infantry”. Is part of the military training… I kept mine. </span><span class="Apple-style-span" style="font-size:small;"><o:p></o:p></span></span></p> <p class="MsoNormal"><span style="line-height: 115%;"><span class="Apple-style-span" style="font-size:small;">Well… in this series, I explore the illustrations presented in the book, but develop my own illustrations based on events of society. The works are comprised of pictures found by various means such as magazines, internet, or personal drawings, texts taken from books and are impregnated with blood of real lamb alluding to the nickname of “bible”.</span><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">The similarity between</span></span><span class="Apple-style-span" style="font-size:small;"> the Darth Vader mask and the (George W. Bush) is just a coincidence.</span></p> <p class="MsoNormal"><span class="Apple-style-span" style="font-size:small;">After Gamaliel Rodriguez-Ayala served in the United States’ army, he successfully pursued an education in the arts.</span><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">Rodriguez-Ayala graduated with a Master Degree in Visual Arts from the Kent Institute of Art and Design in England.</span><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">Currently, he is a professor at the Escuela de Artes Plásticas de San Juan. For more information on the artist contact:</span><span style=""><span class="Apple-style-span" style="font-size:small;"> </span></span><span class="Apple-style-span" style="font-size:small;">info@gamalielrodriguez.com</span></p></div></span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><span style="font-style: italic;"><br /><br /></span><span style="color: rgb(153, 255, 153);">3.10 (Curated by Joanna Szupinska)</span><br /></span></span></span><span><span span=""><span>Fri, Jan 30, 2009 at 5:00 PM</span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><span style="font-weight: bold;"><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5wcjaDRFfNukPk1q9-4-phP7heWmjYkedDeyGZL_0VzV6F45P5dUh5CEykBFEDkXX_iQF2b9dPPt-3pRxg8X9J5tp5eV7fQkF9VXEOPYBiZeRMW_blgiOcJTLtYqmtIifNklEnn_wYCZ5/s1600-h/joanna.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 162px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5wcjaDRFfNukPk1q9-4-phP7heWmjYkedDeyGZL_0VzV6F45P5dUh5CEykBFEDkXX_iQF2b9dPPt-3pRxg8X9J5tp5eV7fQkF9VXEOPYBiZeRMW_blgiOcJTLtYqmtIifNklEnn_wYCZ5/s400/joanna.jpeg" alt="" id="BLOGGER_PHOTO_ID_5298643524374366770" border="0" /></a></span></span></span></span><span><span span=""><span><span>Click <a href="http://www.youtube.com/watch?v=I5w777i0YY4">here</a> to watch the videos.<br /><br /><span>Stuart Bailey<br /><span style="font-style: italic;">Straight Edge</span>, 2007</span><br /><br />Artist Stuart Bailey uses drunkenness and drug-induced states to discuss a kind of willful disengagement common in Western societies. Effectively securing their own comfort by numbing a creeping unease, many individuals turn with apathy from the otherwise shocking realities of today's world: widespread militarism, blind nationalism, horrific torture, economic disaster, and global warming.<br /><br />In the video Straight Edge by Minor Threat (For Lagerphones), Bailey re-stages the 1981 hardcore punk song that provided the name for the anti-drug, -tobacco, and -alcohol youth movement. Minor Threat's "Straight Edge," the lyrics of which are screamed out by the artist himself, is set to the percussion of five lagerphones. These Australian folk instruments, fastened with beer bottle tops, are a variation of the traditional aboriginal instruments that use shells, and simultaneously produce bass drum and tambourine sounds. Subverting American pop-culture hegemony by re-appropriating the song into an Australian context, the artist calls attention to drinking culture down under. In Out of Step by Minor Threat (For Lagerphones), Bailey reflects in the slow part of the song, "Listen, this is no set of rules/ I'm not trying to tell you what to do..." at which point his distinct accent is revealed. His accent serves to further underscore his Australian authorship within the reading of this work. In the above untitled collage (2009), Bailey combines elements that, depending on the viewer, alternately refer to Minor Threat, bush culture, and mainstream American and Australian cultures.<br /><br />The artist would like to thank Minor Threat (Ian MacKaye, Lyle Preslar, Brian Baker, Steve Hansgen and Jeff Nelson), Fayen d'Evie, Michael Ascroft, Imogen Beynon, Rosemary Forde, Dylan Rainforth, Geoff Newton, Danny Jacobsen, Karra Rees, Andy "Moose" Newton, and Andrew Uttley.<br /><br />Stuart Bailey was born in Newcastle, Australia in 1970. He received a BA in Visual Arts at the Canberra School of Art, Australian National University in 1996. He is currently a Masters candidate at Sydney College of the Arts where he also lectures in Printmedia. His recent solo exhibitions include Desert Mouth, Canberra Contemporary Art Space, ACT (2008); Straight Edge, Hell Gallery, Fitzroy, Vic (2008); Low level week (with Rozalind Drummond), RMIT Project Space, Melbourne (2007); Party H.Q., Enjoy Gallery, Wellington (2007); Crafting self-esteem (with Basil Hadley), Fremantle Arts Centre (2007); Carpetweed (with Rozalind Drummond), Victoria Park Gallery, Melbourne (2007); and NEVER UPSTAGED EVER AGAIN, Canberra Museum and Gallery (2005). He has been included in numerous group exhibitions, including Cryptophilistinists, Gertrude Contemporary Art Space, Melbourne (2009); Bon Scott Project, Fremantle Arts Centre, WA (2008); Old Skool (never loose that feeing), Perth Institute of Contemporary Art, WA (2007); Dislocated, Toronto Foreshore, Canada (2006); and So you wanna be a rock star?, National Portrait Gallery, Canberra (2001). He has curated a number of exhibitions, including Little Deaths, Apartment, Melbourne (2008); Wolfgang Sievers: Work and Slowing Down, both at Glen Eira City Council Gallery, Melbourne (2007); and World famous in New Zealand, Canberra Contemporary Art Spaces (2005).<br /><br />Please visit <a href="http://www.blogger.com/www.stuartbailey.info">www.</a><a href="http://www.blogger.com/www.stuartbailey.info">stuartbailey.info</a> for more information.<br /></span></span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><span style="font-weight: bold;"><br /><br /><br /><span style="color: rgb(153, 255, 153);">3.11 (Curated by Josephine Zarkovich)</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgicNwuqQB2QEIIGDMzojzVLwC-_lJ0QCf-NuA7tFOP6SttKujVTnrkpcxK6KMYH-o3HcAf2wGviErv7_etRaS6gVyOEstN7bDHi6BisNkgTSVXdtb4FJ_A5MxgzhjizvHC-pSxg7cE5Ytd/s1600-h/jeseophine.jpeg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 301px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgicNwuqQB2QEIIGDMzojzVLwC-_lJ0QCf-NuA7tFOP6SttKujVTnrkpcxK6KMYH-o3HcAf2wGviErv7_etRaS6gVyOEstN7bDHi6BisNkgTSVXdtb4FJ_A5MxgzhjizvHC-pSxg7cE5Ytd/s400/jeseophine.jpeg" alt="" id="BLOGGER_PHOTO_ID_5298653707923106514" border="0" /></a></span></span></span></span><span><span span=""><span><span>Francois Hughes, <span style="font-style: italic;">Running</span>. 2005-6. mixed media. Interactive Installation<br /><br /><a href="http://www.francoishughes.com/projects/running/running.html">CLICK HERE</a><br /><br />"Ruin is the destination toward which all men rush" – Garrett Hardin<br /><br />Combining rolls of sod with mechanical elements, Oakland based artist Francois Hughes highlights the ways in which natural materials have become industrialized commodities. His installation Running consists of an indoor "lawn machine" acting as a decomposing conveyor belt allowing the artist to walk at a brisk pace without actually moving forward. This performative aspect of the work addresses both the body obsessed Californian exercise culture and the absurdity inherent in the American desire for a perfect lawn.<br /><br />Playing off the fact that rolls of grass are sold in hardware stores—more fabricated than natural—Hughes' work combines dark humor, mechanical invention, and whimsy. Placing himself on a course that is both figuratively and literally unsustainable the artist's actions evoke a subtle sense of doom. His installations draw the viewer into a surreal and unsettling dreamscape, if you are the type to dream about modernism: things catch on fire, kinetic sculptures click and whirr towards their destiny and the body fuses with machine. Each of Hughes' sculptures are united by the futility inherent in their processes. Their labor results in their destruction.</span></span></span></span><span style="font-weight: bold;"><span span=""><span style="font-weight: bold;"><span style="font-weight: bold;"><br /><br /><br /><br /><span style="color: rgb(153, 255, 153);">3.12 (Curated by Arden Sherman)</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD3ZnIz9MK5M2QkpRri0Bdtetd1J9Q0svqvYWw2rm7EgG1qOGkmXZLyZtp_edi75mhZYF8H1e59BYtyTFJeeg2Z7FMnO7BrLHu6c8x7nJz0XERtNssIaAZwUxkp5UVwtrpu-VWR1alLS4g/s1600-h/arden.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 211px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD3ZnIz9MK5M2QkpRri0Bdtetd1J9Q0svqvYWw2rm7EgG1qOGkmXZLyZtp_edi75mhZYF8H1e59BYtyTFJeeg2Z7FMnO7BrLHu6c8x7nJz0XERtNssIaAZwUxkp5UVwtrpu-VWR1alLS4g/s400/arden.png" alt="" id="BLOGGER_PHOTO_ID_5298650986641911394" border="0" /></a></span></span></span></span></span><span style="font-family:Tahoma;"><span><span span=""><span><span>Click <a href="http://moneydick.com/badmoonrising/">HERE</a> to view and navigate the list.</span></span></span></span></span> <span style="font-family:Tahoma;"><span><span span=""><span><span><br /><br />To say that the World Wide Web has changed the way Americans go about their daily lives is an understatement. From methods of communication and information exchange to product marketing and avenues of immediate gratification, the Internet has opened doors for entrepreneurs and creative thinkers as well as those with less than noble intentions. Like the universe it purports to mimic, the Internet is ever expanding. The present is combined with the past and the predictions of the future, leaving layers upon layers of words, text and images piling up into a boundless mountain. The following list is a selection of instructional, resource-based, and creative websites found amongst the highways, byways, and mainframes of the World Wide Web, ranging from the sensational to the serious—a mere sampling of the virtual American melting pot. Vanity, money, fear, and an unyielding desire for convenience are dominant themes in this brief glimpse of the seedy underbelly of a Google search.<br /><br />Through the Bad Moon Rising email exhibition series, NAIL curators have provided insight on artists who utilize the web for publicity, concept, or artistic tool, and this list revisits those websites, often drawing unforeseen parallels between the spaces of the artists' work and the cacophony of the Web itself.<br /><br />Special thanks to <a href="http://thefatanimals.com/">Daniel Morgan</a> for his internet prowess and nobility of the graphic.</span></span></span></span></span><input id="gwProxy" type="hidden"><!--Session data--><input id="jsProxy" type="hidden" onclick="jsCall();"><div id="refHTML"></div><span id="leoHighlights_iframe_modal_span_container"><div id="leoHighlights_iframe_modal_div_container" style="border: 1px solid black; position: absolute; visibility: hidden; display: none; width: 394px; height: 40px; 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</script></span><input id="gwProxy" type="hidden"><!--Session data--><input id="jsProxy" type="hidden" onclick="jsCall();"><div id="refHTML"></div><input id="gwProxy" type="hidden"><!--Session data--><input id="jsProxy" type="hidden" onclick="jsCall();"><div id="refHTML"></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-28797458212552225482009-01-20T21:18:00.000-08:002009-01-21T16:01:38.060-08:00Bad Moon Rising 3Co-curated by NAIL, Jan Van Woensel and guests<br />January 19 - January 31, 2009<br /><br /><span style=";font-family:sans-serif;font-size:85%;" >I fear that we are becoming a nation which simply sits in front of a television screen and orders its lives at the press of a button or mouse.</span><span style=";font-family:sans-serif;font-size:85%;" > There is in the internet the potential for destroying ourselves.<br />-- David Hope, Archbishop of York, April 2000 (news.bbc.co.uk)<br /></span><br />This latest incarnation of the traveling exhibition <span style="font-style: italic;">Bad Moon Rising</span> takes the form of a series of emails as well as an exhibition at Boots Contemporary Art Space, St. Louis. Individually curated by the members of NAIL, the emails will showcase artworks in a variety of media, from video to web design to found objects and more, exploring and expanding on the artistic possibilities of a form of communication that is often taken for granted. In many ways, the vehicles for this project, email and the internet, embody the spirit of <span style="font-style: italic;">Bad Moon Rising</span>. A powerful tool for education and research, the internet can also expose us to predators, steal our identities, and spread dangerous or unwholesome images and video. On the internet, America's more subversive and iconoclastic citizens find community and the perfect, anonymous speaking platform. Religious and political figures' warnings of the web's latent evils are all but drowned out by praise for its perceived commercial and educational benefits.<br /><br />The <span style="font-style: italic;">Bad Moon Rising</span> project exposes some of the dark sides of the world's self-proclaimed greatest nation: the United States of America. With the election of a new President in November 2008, people are optimistic about the future of the USA's national and international politics, economy and warfare. Nevertheless, the country's continual increase in unemployment, poverty, the financial downfall, expensive and unreliable health care, equal rights and overpriced education are problems that are yet to be resolved. Offensive, annoying, naughty and whimsical, <span style="font-style: italic;">Bad Moon Rising</span> helps to reminds us of some of the most disturbing facts of the USA's past and present. Through a selection of artworks, artifacts and a-historical references, major themes such as politics, religion, society, family, war and the media are disturbingly portrayed, casting a dark shadow over the USA's promised ideologies of freedom and prosperity.<br /><br /><span style="font-style: italic;">Bad Moon Rising</span> is a traveling group exhibition conceptually designed by New York-based curator Jan Van Woensel which premiered at Silverman Gallery, San Francisco, in Jan - Feb 2008. <span style="font-style: italic;">Bad Moon Rising 2</span> was a one-night only exhibition at ISCP in New York, which took place on September 12, 2008. The 3rd and most recent incarnation of <span style="font-style: italic;">Bad Moon Rising</span> opened at Boots Contemporary Art Space in St. Louis, MO, and is co-curated by Jessica Silverman and Jan Van Woensel with the assistance of Kara Smith.<br /><br /><a href="http://b-a-d-m-o-o-n-r-i-s-i-n-g.blogspot.com/">b-a-d-m-o-o-n-r-i-s-i-n-g.blogspot.com</a><br /><a href="http://www.bootsart.com/html/bootshome.html">www.bootsart.com</a><br /><br /><a href="http://www.bootsart.com/html/bootshome.html"></a>Katie Hood Morganhttp://www.blogger.com/profile/10153774523987759812noreply@blogger.com1tag:blogger.com,1999:blog-6812901854038842829.post-90467310778121595822009-01-18T21:28:00.000-08:002009-01-18T21:38:46.611-08:00Out of Order - PLAySPACE GalleryThanks to all who came to <span style="font-style: italic;">Out of Order</span> and to the artists who have participated.<br /><br />Below are images from the exhibition and opening. Check back for the next NAIL exhibition!<br /><br /><embed type="application/x-shockwave-flash" src="http://picasaweb.google.com/s/c/bin/slideshow.swf" width="600" height="400" flashvars="host=picasaweb.google.com&RGB=0x000000&feed=http%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2FJackieIm09%2Falbumid%2F5292872376515238673%3Fkind%3Dphoto%26alt%3Drss%26authkey%3DB4wwdx98TVc" pluginspage="http://www.macromedia.com/go/getflashplayer"></embed>Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-10875691950506786982008-12-08T18:52:00.000-08:002008-12-09T23:52:04.819-08:00Out of Order - ArtistsJoin <span style="font-weight: bold;">NAIL </span>for an artist reception on Thursday, December 11, 6-9pm.<br /><span style="font-style: italic;">Out of Order</span> includes work by the following artists:<br /><br /><span style="font-weight: bold;">Jamin An</span><br />Lives and works in Virginia<br /><br /><span style="font-weight: bold;">Joanna Bielski</span><br />b. 1976 in Warsaw, Poland<br />Lives and works in Los Angeles<br />http://joannabielskiart.net<br /><br /><span style="font-weight: bold;">Alicia Escott</span><br />Born in Boston<br />Lives and works in San Francisco<br />www.aliciaescott.com<br /><br /><span style="font-weight: bold;">Cynthia Ona Innis</span><br />b. 1969<br />Lives and works in Oakland<br />www.cynthiaonainnis.com<br /><br /><span style="font-weight: bold;">Dustin Kelly</span><br />b. 1977, Iowa<br />Lives and works in San Francisco<br /><br /><span style="font-weight: bold;">Jaime Lakatos</span><br />Lives and works in Oakland<br />www.quarantineprojects.com<br /><br /><span style="font-weight: bold;">Tara Mateik</span><br />b. 1974<br />Lives and works in New York<br />www.taramateik.com<br /><br /><span style="font-weight: bold;">Hilary Pecis</span><br />b. 1979<br />Lives and works in San Francisco<br />www.hilarypecis.com<br /><br /><span style="font-weight: bold;">Sun Ra</span><br />b. 1914 on Saturn<br />d. 1993 in Birmingham<br /><br /><span style="font-weight: bold;">Johnny Rogers</span><br />b. 1983<br />Lives and works in Baltimore<br />www.geojedi.org/library/baltimorevsworld<br /><br /><span style="font-weight: bold;">Kevin E. Taylor</span><br />b. 1972 in Charleston<br />Lives and works in San Francisco<br />www.kevinearltaylor.com<br /><br /><span style="font-weight: bold;">Elena Tejada</span><br />Born in Lima, Peru<br />Lives and works in Miami<br />www.tejadaherrera.com<br /><br /><span style="font-weight: bold;">Jan Van Woensel</span><br />b. 1975 in Antwerp, Belgium<br />Lives and works in New York, Los Angeles, and San Francisco<br />http://icpabackstage.blogspot.com<br /><br /><span style="font-weight: bold;">Jenifer Wofford</span><br />Lives and works in San Francisco<br />http://wofflehouse.comJoanna Szupinskahttp://www.blogger.com/profile/11680488681466208475noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-78392847848465023542008-12-06T22:15:00.000-08:002008-12-06T22:18:05.910-08:00Out of Order - InstallationOut of Order opens on Tuesday, December 9th at PLAySPACE Gallery on the San Francisco CCA Campus.<br /><br />Please join us for a reception on December 11th, 6-9pm.<br /><br /><embed type="application/x-shockwave-flash" src="http://picasaweb.google.com/s/c/bin/slideshow.swf" width="400" height="267" flashvars="host=picasaweb.google.com&RGB=0x000000&feed=http%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2FJackieIm09%2Falbumid%2F5276927449027085889%3Fkind%3Dphoto%26alt%3Drss%26authkey%3D37k8podaqDU" pluginspage="http://www.macromedia.com/go/getflashplayer"></embed>Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-23316438405899910412008-12-03T23:02:00.000-08:002008-12-06T18:45:59.036-08:00<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-cPaRGIEx1JXSIa76ek-pHRHGeg-V8DHTa_65mBfE5BSFycbidoquoocGzpKZVBXL2VAIcGUWHQYXTwEl7rbdWNs3D64BVuXCE5zSyJ3yyIWnok5A7b7C5disTOASc6P7XfeR5wk1ybk/s1600-h/Out+of+Order+EDITED+cropped.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 318px; height: 465px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-cPaRGIEx1JXSIa76ek-pHRHGeg-V8DHTa_65mBfE5BSFycbidoquoocGzpKZVBXL2VAIcGUWHQYXTwEl7rbdWNs3D64BVuXCE5zSyJ3yyIWnok5A7b7C5disTOASc6P7XfeR5wk1ybk/s400/Out+of+Order+EDITED+cropped.jpg" alt="" id="BLOGGER_PHOTO_ID_5276873886097403378" border="0" /></a><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://img368.imageshack.us/img368/7729/outoforderdd7.jpg"><br /></a>Katie Hood Morganhttp://www.blogger.com/profile/10153774523987759812noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-61639376585725550292008-12-03T19:05:00.000-08:002008-12-06T19:55:26.040-08:00Out of OrderAn exhibition by NAIL<br /><br />PLAySPACE Gallery<br />1111 8th Street, San Francisco<br />December 9-11, 2008, 3-7pm<br />Reception: Thursday, December 11, 6-9pm<br /><br />NAIL is pleased to present <span style="font-style: italic;">Out of Order</span>, a group exhibition at CCA's PLAySPACE gallery. PLAySPACE will host an artist reception on Thursday, December 11 from 6-9pm. The exhibition includes thirteen emerging and established artists. As a model, NAIL borrowed the Surrealist game Exquisite Corpse. In response to only the preceding artwork, each member of NAIL, in turn, invited one artist to contribute a piece to the exhibition. Fractured landscapes, unearthly nature, and dark humor emerge in the selected artworks. <span style="font-style: italic;">Out of Order</span> includes work in a variety of media and sizes; many are shown here for the first time.<br /><br />Chosen in response to the premise of the Exquisite Corpse game, <span style="font-weight: bold;">Jamin An</span>'s multi-media piece addresses the dynamics of one-on-one interaction, in personal and public space. <span style="font-weight: bold;">Elena Tejada</span>’s video documents a series of performances that push the boundaries between private and public space, raising questions of femininity and modernity. <span style="font-weight: bold;">Camille and Jenifer Wofford</span>'s video documents the creation of the corresponding painting, a collaboration between the two sisters. <span style="font-weight: bold;">Tara Mateik</span>'s music video humorously interprets the gender issues socially embedded in the mythos surrounding Peter Pan and Michael Jackson. <span style="font-weight: bold;">Kevin E. Taylor</span>'s work adds a comic twist to the tradition of battle scene painting. The overly stimulating video collage by <span style="font-weight: bold;">Johnny Rogers</span> combines imagery and sounds from nature and outdated video games. <span style="font-weight: bold;">Hilary Pecis</span> creates layered landscapes through collage, manipulating advertisements and abstract elements into environments. <span style="font-weight: bold;">Joanna Bielski'</span>s delicate triptych refers to maps and natural landscape through the use of intricately placed, mass-produced plastic beads. <span style="font-weight: bold;">Cynthia Ona Innis</span>' work depicts a vivid and bleak landscape, glowing red with the aftereffects of what might be an industrial or natural disaster. A 49-minute soundscape by the well-known jazz musician <span style="font-weight: bold;">Sun Ra</span> greets visitors with a disquieting alien composition. <span style="font-weight: bold;">Dustin Kelly</span>'s massive, sculptural collage combines cuttings from discarded comic books to produce a visual mosaic of disjointed figures. Through craft, <span style="font-weight: bold;">Jaime Lakatos</span>' work playfully comments on the spoils of hunting as decoration. <span style="font-weight: bold;">Alicia Escott</span> in collaboration with <span style="font-weight: bold;">Jan Van Woensel</span>, will unveil a new installation of objects made specifically for Out of Order.<br /><br />NAIL is a group of curators focused on experimenting with exhibition forms in a workshop setting, the results of which will be shared with the public in a variety of venues. NAIL:1 took the form of an apartment show, and NAIL:2 was a walking tour. NAIL is: Jacqueline Clay, Nicole Cromartie, Courtney Dailey, Emily Gonzalez, Jacqueline Im, Kristin Korolowicz, Sharon Lerner, Katie Morgan, María Elena Ortiz, Arden Sherman, Joanna Szupinska, and Josephine Zarkovich, and for Out of Order, special guest curator Jan Van Woensel. For futher questions you may email notalwaysinlocation@gmail.com.Emily Gonzalezhttp://www.blogger.com/profile/16810796346771874908noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-1948306371765363372008-11-22T17:44:00.000-08:002008-11-22T17:47:12.705-08:00NAIL 2: Surrounding AreaThanks to all who came to <span style="font-style: italic;">NAIL 2: Surrounding Area</span>. Here are some pictures from the tour. Please stay tuned for news on our upcoming exhibition in December!<br /><br /><embed type="application/x-shockwave-flash" src="http://picasaweb.google.com/s/c/bin/slideshow.swf" width="400" height="267" flashvars="host=picasaweb.google.com&RGB=0x000000&feed=http%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2FJackieIm09%2Falbumid%2F5271661967029151601%3Fkind%3Dphoto%26alt%3Drss%26authkey%3DEo8o1KWdNWs" pluginspage="http://www.macromedia.com/go/getflashplayer"></embed>Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-91172855030096341302008-11-08T14:09:00.000-08:002008-11-11T20:44:57.466-08:00NAIL 2: Surrounding Area<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszl51w5sisu7CqXhMOOqORc9r5aLHvPLYU_8Eh-WndCHvpCAUASxaqf9Y_v45qJ3nQc078oS7Jn9RvsQm5uG-epPzxs2kd554cYUXe1zaJbf7OqJie55PYyOjEtDD-A2r9xAQLnRvsMI/s1600-h/map_final+copy.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 247px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhszl51w5sisu7CqXhMOOqORc9r5aLHvPLYU_8Eh-WndCHvpCAUASxaqf9Y_v45qJ3nQc078oS7Jn9RvsQm5uG-epPzxs2kd554cYUXe1zaJbf7OqJie55PYyOjEtDD-A2r9xAQLnRvsMI/s320/map_final+copy.jpg" alt="" id="BLOGGER_PHOTO_ID_5267627193914778610" border="0" /></a><br /><br /><b><br />For immediate release:</b><br /><i>NAIL 2: Surrounding Area</i><br />Friday, November 14, 2008<br />5-7 p.m.<br /><br />California College of the Arts' curatorial collective, NAIL, is pleased to present a new mobile, site-specific exhibition, <i>NAIL 2: Surrounding Area</i>. This one-night only event will take the form of a guided walking tour through CCA's San Francisco campus and local neighborhood. The five brief stops along the tour will include local artistic and historical destinations of varying scale and structure - visible and invisible, past and present. Special guest speakers and members of NAIL will show hidden sites of cultural production in the neighborhood, from the former sandy shores of the San Francisco Bay to The Double Play, a pub near the site of the demolished Minor-League Seal Stadium.<br /><br />The 5pm tour will commence at CCA's main building on <a com="" hl="en&client=firefox-a&rls=org.mozilla:en-US:official&hs=r3d&q=1111+eighth+street+san+francisco,+ca&um=1&ie=UTF-8&sa=X&oi=geocode_result&resnum=1&ct=title"">1111 8th Street</a> and will continue for 1.5 miles ending at 16th and Bryant. <i>Surrounding Area</i> is designed to create a site- and time-specific interaction among the guides, audience, community and destinations. The tour will foster conversation and an exchange of information about overlooked and under-recognized places, themes, and projects of the CCA campus and surrounding neighborhood.<br /><br /><smaller>For more information please visit <a href="http://notalwaysinlocation.blogspot.com/">notalwaysinlocation.blogspot.com</a> or email us at <a href="mailto:notalwaysinlocation@gmail.com">notalwaysinlocation@gmail.com</a></smaller><br /><br /><smaller>Keep in mind <i>Surrounding Area</i> is an outdoor walking tour lasting about two hours. Please dress accordingly.</smaller>Katie Hood Morganhttp://www.blogger.com/profile/10153774523987759812noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-10250097454530916432008-10-10T13:50:00.001-07:002008-10-10T13:54:07.963-07:00NAIL 1 CancelledWe are sad to announce that NAIL 1 is cancelled for <span class="blsp-spelling-corrected" id="SPELLING_ERROR_0">bureaucratic reasons. We tried to get around it, but after a lot of back and forth with the school, we have been forbidden from using the faculty apartment for events. We are looking into alternate spaces. (If you have any suggestions, let us know!) Please continue checking the site for updates and the announcement of NAIL 2. </span>Emily Gonzalezhttp://www.blogger.com/profile/16810796346771874908noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-40147250361646720692008-10-05T19:07:00.000-07:002008-10-09T16:01:31.672-07:00NAIL: 1: Home Sweet Home<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7P2Wziec9kKv6bT_eXmdfdQazG9GjhVoGc7FdH_DXk-F0VVAIYj4_4o4PYNjkO1s41Kq9TLgdcEWIZp8fAtBnhPJUxXpPr75hf0gc2PfFJKRmDcsr0-Ao1vkkuu2hAMEy1uy41CGNuBg/s1600-h/HomeSweetHome.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7P2Wziec9kKv6bT_eXmdfdQazG9GjhVoGc7FdH_DXk-F0VVAIYj4_4o4PYNjkO1s41Kq9TLgdcEWIZp8fAtBnhPJUxXpPr75hf0gc2PfFJKRmDcsr0-Ao1vkkuu2hAMEy1uy41CGNuBg/s400/HomeSweetHome.jpg" alt="" id="BLOGGER_PHOTO_ID_5255292802634570802" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br />This inaugural project takes over CCA's visiting artist apartment with objects culled from the homes of each of the curators. Installed or enacted in the house, each intervention aims to transform the anonymous IKEA-furnished space into one full of activity and everyday objects that will come together haphazardly, much like the curators, each with their own agendas and ideas. This exhibition is focused on the process of pulling objects/actions together, learning about each other's affinities and interests. In sharp contrast to the idea of the 'invisible hand' of the curator, this project is wholly bound to the identities of the participants; their activity is the only 'art' to witness.<br /><br />HOME SWEET HOME may include:<br />books, table setting, food, hair, clothes in closet, dog, refrigerator ephemera, postcards, magnets, audio, video, charms, letters, stickers, papers, dart board, vases, flowers, fabric, sewing machine.<br /><br />HOME SWEET HOME is the first in a series of projects that aim to facilitate group development: getting to know one another and the group as a whole by developing several concrete exhibitions/presentations of ideas.Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.com0tag:blogger.com,1999:blog-6812901854038842829.post-81276005123914689322008-10-05T19:02:00.000-07:002008-10-05T19:06:44.647-07:00WelcomeNAIL is a collaboration of the Curatorial Practice students at <a href="http://www.cca.edu">California College of the Arts</a>. NAIL (which stands for "Not Always In Location), provides us an avenue to experiment with exhibition forms.<br /><br />Please check out our blog for updates on future exhibitions and news.Jackiehttp://www.blogger.com/profile/04578319073134746513noreply@blogger.com1